That is why jasper shares the same hardness as quartz (7 on the Mohs scale) and can be used as a gemstone or decorative stone stable to extended wear.Īdditionally, from the mineralogical point of view, we need to clarify the terminology of jasper a bit. So jasper is technically cryptocrystalline quartz whose crystal grains are too small. The name jasper is also applied to any opaque chalcedony without a particular name of its own.Ĭhalcedony is often called cryptocrystalline quartz because it’s made up of tiny quartz crystals that are invisible to the unaided eye. The color of jasper is explained by the various trace elements present, especially iron oxides, which create brownish and red colors. It can be motley spotted or display straight color bands. Also, you can meet jasper in green, pink, and orange colors. Jasper is an opaque chalcedony that displays various colors, typically brownish reds, yellows, and blacks. These collection materials are worth the most. Sometimes colors and patterns are so beautiful that they can resemble natural landscapes, animals, or even profiles of people. Jasper’s price sometimes reaches several hundreds of dollars because of the unique textures of natural stones. If you are interested in checking out the best books about rock and minerals identification you can find them by clicking here (Amazon link). Let’s discover what jasper is, why there are so many varieties of jasper, which one is the most valuable, and of course, crucial factors of jasper value you should know. It’s true for jasper that you will never find two similar-looking stones. This association gives the possibility of an infinite number of combinations. Jasper can occur not only in any color but in any texture. The most valuable type of jasper is orange-and-black bumblebee jasper. However, samples with intriguing textures and vivid colors can reach several hundred dollars. The price for several centimeters tumbled stones rarely exceed $5. Jasper is one of the most affordable stones. Although you may be surprised how the stone gathered on the seaside can be valuable, some properties make jasper so popular and increase its price dramatically. Jasper is considered a widespread and moderate price stone, but some varieties of jasper can hit unexpectedly high prices. As an Amazon Associate, I earn from qualifying purchases with no additional costs for you.
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My block was 4″.įor the small corner square, cut a square ½ the finished size of the block + ½” or a strip ½ the finished size of the block + ½” x WOF.įor my block, 4″ finished: corner square = 2″ + ½” = 2 ½” x 2 ½” or a strip 2 ½” x WOF.įor the small triangles, cut a rectangle ½ the finished size of the block + ½” wide x ½” the finished size of the block + 1 ½”. To cut the pieces for method 2, start with the finished size of the block. If you trim the seams to ¼”, you will have a little bit left over in the middle. Trim thru the center between the sewing lines or trim both seams to ¼”. Layer the unit right sides together with a rectangle of the large triangle fabric and sew along both lines. The sewing lines should cross the intersection of the stitched lines as shown below. Use a triangle ruler or your ruler with a 45 degree line to draw 2 lines. Don’t worry if you accidentally cut into the actual seam this is part of the seam allowance that can be trimmed away! You will need 2 units.Ĭlip the seam allowance in the center of the seam to let the seams press to the rectangle fabric. If using the squares and rectangles, sew a square to a rectangle. Note: units are cut the same width as the strip of the small corner square fabric. If you are making strip sets, sew the 2 strips together and sub cut into 2 units. Or you need a strip of the corner square fabric and a larger strip of the small triangle fabric. If you are cutting squares and rectangles, you need 2 squares for the corner square (same size as above) and 2 rectangles for the small triangles. Shaded Four Patch Quilt Block #2Īnother method makes two Shaded 4 Patch blocks at once! And no bias edges are involved!įor this method, you will either cut squares and rectangles or strips for the corner squares and the small triangles. You will only need 1 for each block.įor my block, 4″ finished: square for large triangles = 4″ + ⅞” = 4 ⅞” x 4 ⅞”. Then cut the square in half along the diagonal once for 2 triangles. then cut the square in half along the diagonal once for 2 triangles.įor my block, 4″ finished: square for small triangles = 2″ + ⅞” = 2 ⅞” x 2 ⅞”.įor the large triangle, cut a square the finished size of the block + ⅞”. My block was 4″.įor the small corner square, cut a square ½ the finished size of the block + ½”.įor my block, 4″ finished: corner square = 2″+ ½” = 2 ½” x 2 ½”.įor the small triangles, cut a square ½ the finished size of the block + ⅞”. To cut the pieces for method 1, start with the finished size of the block. Which can cause problems if you don’t handle them gently! A little spray starch can help. BUT, this method involves sewing along bias edges. Pretty easy sewing you just need to watch the intersections of the triangles. Then add the second small triangle- note the rotation of the small triangle! To sew the block, start by sewing one of the small triangle to the small corner square. The traditional method for making this block is to cut 1 square for the corner square, 1 square in half on the diagonal x 1 for 2 small triangles and a larger square in half on the diagonal x 1 for the larger triangle. I must admit I think Birds in the Air has more triangles in it, but … this is what I found out when I searched. OK- so maybe a gazillion is an exaggeration.īut it does have a few! Shaded 4 patch, Birds in the Air, Hidden Square, Mary’s Triangles, Jewel Box, Squared Triangles and Square and Triangles are just a few names I found. And it turns out, I did know the block it just has a gazillion names! Scroll down to find out more!įirst, let me admit, when Tammy said let’s do the shaded 4 patch block, I didn’t know what it was! But I figured I could find out. Hi friends! This week in our Exploring the Quilting Basics series, Tammy and I are chatting about the Shaded Four Patch Quilt Block. To see all the posts in this series, click here. 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The move was endorsed by Java creator James Gosling. In September 2016, Oracle submitted a proposal to donate the NetBeans project to the Apache Software Foundation, stating that it was “opening up the NetBeans governance model to give NetBeans constituents a greater voice in the project’s direction and future success through the upcoming release of Java 9 and NetBeans 9 and beyond”. Under Oracle, NetBeans competed with JDeveloper, a freeware IDE that has historically been a product of the company. In 2010, Sun (and thus NetBeans) was acquired by Oracle Corporation. Since then, the NetBeans community has continued to grow. Sun open-sourced the NetBeans IDE in June of the following year. In 1997, Roman Staněk formed a company around the project and produced commercial versions of the NetBeans IDE until it was bought by Sun Microsystems in 1999. 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Slow down Remember: shutter speed adjusts ambient light (background), flash power adjusts your subject’s lighting. Its a very easy fix, all you have to do is move the light a little bit further away from the background, and its going to be hitting more of her face. Use a reflector to bounce the wasted light back onto their face (get a friend to hold it or invest in a reflector stand). You will get more light in the backdrop rather than on the subjct’s face, and that is the problem with overhead lighting set this way. That catchlight sparks the eyes and brings them to life (Figure 4.27). Indoors, it can be even tougher to get light to hit your subject just as you want. With no direct light hitting the reflector, it didn’t bounce much light back, but it did create that catchlight in the bottom of the eye. Overhead sunlight can be too harsh and cast unwanted shadows shade can make images look less dynamic. Install the bracket behind the reflectorĥ. Feather your subject with the softbox by only letting a glancing blow of light hit them. (Editor’s note: Levi shows how to fold circular, triangular and oblong reflectors in this tutorial. To add a final bit of icing to the image, I held a silver reflector below her face. 1 bracket rod with the reflective cloth on both sides and then tighten the knob.Ĥ.
Raws are catalogued in an “originals” catalogue.This is (very simplified) my DAM workflow. The key, for me, to a good DAM tool is that it makes it very fast and easy to keyword and caption fairly large batches of images. Wine books in a wine library in a wine cellar DAM WORKFLOW I need the DAM to organise my files myself and to prepare files with embedded metadata to send to the stock libraries I work with. The background is, as mentioned, that I am an independent photographer that works with stock agencies (yes, they still exist). At least not me.)Ī) apply keywords and captions and other metadata, You don’t need the DAM to do the same thing, only worse… Perhaps it is useful for non-professional but as a photographer you’re not going to use the DAM to do image editing. Image editing is done with specialised software, like Photoshop. They think it is nice to have image editing functions included in the digital asset management application. (This is a point where many DAM software reviewers go wrong. I definitely don’t want: image editing capabilities in the DAM. presentation, slide-show, contact sheet, or web-gallery-type functionalities support for hierarchical keywords (I use that as a tool separate from the DAM when choosing which keywords to apply, but find it too rigid to have it integrated in the DAM itself.) For raw files: what shoot the image is from (I do not embed metadata in raw files).What the status is of an image with an agency: not submitted, submitted, accepted, rejected….To keep track of where in my workflow an image is: not started, processing, done… or where in the my kewywording process it is.For the (non-standard) three levels of description that Alamy (a stock agency) requires.This is both for speed and security reasons.Ĭustom Fields are important. DAM FUNCTIONALITIES: Dom Ruinart writing in a book with a bird quill feather pen at Champagne Ruinartġ - Must: keywording and captioning (“description”) – this is the key to the whole application!ģ - Must: possibility to create “custom fields”.Ĥ - Must: possibility to create “virtual galleries” or “temporary sets” (what is called “categories” in Portfolio)ĥ - Must: virtual galleries can be hierarchicalĦ - Nice to Have: “Folder watching” – the app can detect changes on monitored foldersħ - Must: possibility to apply keywords and captioning to multiple files at the same timeĨ - Must: possibility to append data (as opposed to overwrite) to captioning (“description”) fieldĩ – Must: it is a cataloguing application, with a database, not just a file browser (not even a pimped-up and glorified file browser). – Files stored on a network (NAS) file server, so the sw needs to be able to work over a network. (Currently split on two RAW/originals catalogues and one Develops catalogue in Portfolio) Capability for video files would be a plus but not absolutely necessary. – Archiving of raw files (Canon cr2 mainly) and tiffs. – Stand-alone desktop application on Windows (I don’t want to rely on a sometimes not perfect internet connection) – Single user = I’m an independent photographer. My requirements of a Digital Asset Management software solution: Through my own on-line photo library “store-front” base on PhotoshelterĪ sign at a winery pointing the way to Self Service shoppingĪ discussion with David Riecks, the creator of the Controlled Vocabulary Keyword Catalogue (CVKC) and a great metadata advocate and guru, prompted my to formulate what I need and expect from a DAM solution.Directly to customers who I am myself in contact with.Through photo agencies (I send my images to agencies who then license them to customers).I am an independent photographer mainly selling my photography in three ways: You can’t just store them on a disk and hope to find them when you need them… Here are my requirements on what a DAM should do (for me), plus some comments on current DAM vendors. In the photography world it usually refers to an application to manage the thousands or hundreds of thousands of image files that a photographer accumulates. It usually refers to a software used to manage various digital files. What options are there to manage a library of photographs?ĭAM is short for Digital Asset Management. In today’s world, everything is digital. And if the files are not digital yet, digitize them with your scanner and DEVONthink Pro Office. You can even collect and organize data from the web for your own use. You can use DEVONthink as your document repository, your filing cabinet, your email archive, or your project organizer DEVONthink can do it all. If you believe it’s maker, DEVONtechnologies, it is built on Artificial Intelligence that is unique to the Mac and assists you in filing, organizing, and searching your data. A single database for all your digital files, be they PDFs, emails, Word documents or even multimedia files. And that is what DEVONthink was made for. It’s almost as if you need a second brain just to keep your digital life straight. 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